Andrew Hewitt
bafta nominated composer, los angeles
IT'S WHAT'S INSIDE
VILLAINS
OLD BOYS
WE HAVE ALWAYS LIVED IN THE CASTLE
A CROOKED SOMEBODY
THE GOOD NEIGHBOR
MOJAVE
BILL
THE STANFORD PRISON EXPERIMENT
THE SEA
THE DOUBLE
THE BRASS TEAPOT
SUBMARINE
CUCKOO
THE DIVIDE
FOUR HORSEMEN
Greg Jardin
Dan Berk, Rob Olsen
Toby MacDonald
Stacey Passon
Trevor White
Kasra Farahani
William Monahan
Richard Bracewell
Kyle Patrick Alvarez
Stephen Brown
Richard Ayoade
Ramaa Mosley
Richard Ayoade
Richard Bracewell
Katharine Round
Ross Ashcroft
Brittany O'Grady, Alycia Debnam-Carey
Kyra Sedgwick, Bill Skarsgård
Alex Lawther, Jonah Hauer-King
Crispin Glover, Alexandra Daddario
Rich Sommer, Ed Harris
James Caan, Logan Miller, Keir Gilchrist
Oscar Isaac, Mark Wahlberg, Walter Goggins
Mathew Baynton, Ben Willbond
Billy Crudup, Ezra Miller
Ciaran Hinds, Charlotte Rampling
Jesse Eisenberg, Mia Wasikowska
Juno Temple, Michael Angarano
Craig Roberts, Sally Hawkins, Paddy Considine
Richard E Grant, Tamsin Greig
Noam Chomsky
Joseph Stiglitz
SCORE TALES
BIO
Update: Andrew's latest feature film It's What's Inside is streaming now on Netflix, and the Soundtrack album is released and available at netflixmusic.ffm.to/itswhatsinside
Andrew is a versatile and accomplished composer who creates music that complements and elevates a diverse range of film genres. His love for cinema and television fuels his passion for scoring, and enables him to evoke styles to suit each project's specific needs and tone.
Working from his Los Angeles home studio, he crafts a sound that captures the essence of a project, whether it's for symphony orchestra, electronics, chamber group, or singers. He holds the US greencard with British citizenship.
Andrew conducting his orchestral sessions for feature film Bill
Andrew's musical journey is filled with rich and varied experiences in music and drama. Born in England, he has been immersed in classical piano, singing, and acting since he was a child. He holds a Masters in Music from Cambridge University and received a full scholarship to London's Guildhall School of Music and Drama.
Before screen composing, Andrew performed in countless classical concerts, tours, operas, and soundtrack recordings - from Bach and Wagner to the Star Wars Prequels and Lord of the Rings - for conductors including John Adams, Alan Silvestri, John Williams and Howard Shore.
His first score, for the cult series Garth Marenghi's Darkplace, earned him a BAFTA Nomination for the Anthony Asquith Award. Since then, Andrew has scored a wide variety of theatrical feature films that showcase his versatility and adaptability, and TV that includes series, cult comedy, documentaries, commercials, animation, docudramas, and tv movies, across the USA and Europe.
Collaborating with renowned filmmakers, Andrew has become a sought-after composer in the industry. His scores include psychological drama The Double (Jesse Eisenberg, Mia Wasikowska), gothic drama We Have Always Lived In The Castle (Crispin Glover), thriller Villains (Bill Skarsgård, Kyra Sedgwick), drama The Stanford Prison Experiment (Billy Crudup), coming of age comedy Submarine (Craig Roberts, Sally Hawkins), adventure comedy Bill, and crime thriller Mojave (Oscar Isaac, Mark Whalberg) for director William Monahan (The Departed) - see REVIEWS section.
recording and mixing The Double at The Grove Studios
Recently, Andrew has also worked on three Audible projects with Richard Ayoade and created commercials for Saatchi & Saatchi. He is an invited member of BAFTA, PRS for Music, BMI USA, and the World Soundtrack Academy.
Andrew has had the privilege of collaborating with production companies including Such Content, BBC, Alcove, Cartoon Network, Channel4, Film4, Framestore, Magnolia, Motherlode, Independent Film, Pioneer, Red Hour Films, Starthrower Entertainment, and Warp Films.
TELEVISION
GARTH MARENGHI'S DARKPLACE
CATASTROPHE
HINDENBURG
DEAN LEARNER
AFTER EVER AFTER
THE MIDNIGHT GANG
LUSTY CREST
THE STUARTS
HARRY HILL
PARASOMNIA
EXTRAORDINARY CHILDREN
GLOBETREKKER
COSMO
VERNE
COMMERCIALS
C4 x 6, BAFTA Nomination - Anthony Asquith Award
Pioneer Productions, documentary series x 5
Pioneer Productions, TV movie
Channel4, comedy x 5
BBC, TV movie, David Walliams
BBC, TV movie, David Walliams
Adult Swim comedy
BBC documentary, mini series x 3
Channel4 comedy special
Channel4, RDF TV documentary
Zig Zag x 3
Pilot Productions
Cartoon Network
Cartoon Network
Saatchi & Saatchi, Motherlode, Framestore
FILM
TV
SOUNDTRACK ALBUMS
A kaleidoscopic electronic score for Greg Jardin's psychedelic body-swapping movie.
Performed by Andrew Hewitt
Jesse Eisenberg's double personality forces orchestral instruments out of phase with one another.
Performed by The Composers Ensemble,
recorded mixed Grove Studios
Set in 1971. If prison bars were instruments... metallic scrapes and rhythmic cells score the claustrophobia of voluntary imprisonment and psychological fear.
Performed by Andrew Hewitt
Orchestra without brass, with piano & violin solos, follow a young couple's ups & downs.
Performed by The Composers Ensemble, Recorded Mixed Air Lyndhurst, London
Grammy Award winning concert violinist Hilary Hahn sounds a nostalgic melody in this drama from the Booker winning Irish novel.
Piano and Electronics Andrew Hewitt
mixed Edel Studios
Full orchestral score to action comedy from the creators of Horrible Histories.
BBC Orchestra of Wales,
mixed Edel Studios
A haunting cuckoo's call weaves through this score for cello solo and strings.
Performed The Composers Ensemble,
mixed Edel Studios
SCORE REVIEWS
Composer Andrew Hewitt's score may be the grand, orchestral version of whatever emanates from the music box trinket on Constance's vanity
Variety (We Have Always Lived In The Castle)
Andrew Hewitt provides a beautiful score
Followingfilms (Crooked Somebody)
Featuring a pulse-pounding score by Andrew Hewitt
Marketscreener (Crooked Somebody)
The strongest influence here is the spaghetti western, and that sauce is seasoned with homages to Sergio Leone by composer Andrew Hewitt
Screendaily (Mojave)
Winner: Best Comedy Score of the Year
Reel Music Awards (Bill)
Favourite Darkplace moments - a thrilling chase accompanied by a period-appropriate synth frenzy, courtesy of Bafta Nominated Andrew Hewitt
Den of Geek (Garth Marenghi's Darkplace)
The Sea
Andrew Hewitt's elegant score, graced with a number of arrestingly mournful solos by violin virtuoso Hilary Hahn
Variety
Another major player here is Andrew Hewitt's watchful and tentative modern score, promising a chilly revelation
Hollywood Reporter
The film, with a haunting score by Andrew Hewitt, moves gracefully between periods in its protagonist's life and captures his sense of yearning and loss
The Independent
Submarine
Oliver, unlike Rushmore's ever-perky Max Fischer, carries a droopier, less extroverted screen presence - a sensibility matched by Hewitt's moody music
Variety
Composer Andrew Hewitt contributes a fetchingly dead-on pastiche of Georges Delerue's scores for Godard and Truffaut
The Independent
a beautiful score, from Andrew Hewitt
Collider
The Stanford Prison Experiment
The excellent music by Andrew Hewitt (The Double, The Brass Teapot) incorporates a metronomic ticking on occasion, as if God were watching events with one eye on some cosmic stopwatch and making notes for Himself
The Wrap
Andrew Hewitt's score, churning and ominous, adds a jolt of momentum that keeps proceedings becoming as clinical as the context might demand
Variety
Prepare for dread: the mounting tension
is complimented by Andrew Hewitt's pulsing, ominous score
Irishtimes
Some of the best features were courtesy of composer Andrew Hewitt, who layered the movie with pulsing and haunting basslines,
mixed with abrupt and deafening silences
Acrn
Ably assisted by Andrew Hewitt's minimalist score
Radio Times
The Double
The film is a distinct pleasure... the score by Andrew Hewitt is one of the best we've heard in a while. A joy to watch... propelled by a great score
Indiewire
a crack creative team that includes
composer Andrew Hewitt's haunting score
LA Times
operatically amped up by
Andrew Hewitt's thunderous orchestral score
Variety
Cuckoo
Andrew Hewitt's emotional music score is beautifully understated and atmospheric, a perfect accompaniment to the eeriness of the surroundings and a perfect reflection of Polly's fraught state of mind
Den of Geek
a top-notch strings-only score (with an emphasis on cello) ticks all the boxes for a great listening experience, this is one of Movie Score Media's brightest hidden stars, and I recommend you take a listen to this inventive score.
Maintitles
Clearly one of the year's most stylistically coherent film scores, building most of its mesmerizing underscoring on the simple two note motif - ingeniously based on the bird's call. An impressive lesson in how to construct a truly effective film score
Screen Archives Entertainment